[M422.Ebook] Download Ebook Modern Classics the Divided Self: An Existential Study In Sanity And Madness (Penguin Modern Classics), by R D Laing

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His groundbreaking exploration of the nature of madness, R.D. Laing's The Divided Self illuminated the nature mental illness, making the mysteries of the mind comprehensible to a lay audience. This Penguin Modern Classics edition includes an introduction by Professor Anthony S. David. First published in 1960, this watershed work aimed to make madness comprehensible, and in doing so revolutionized the way we perceive mental illness. Using case studies of patients he had worked with, psychiatrist R. D. Laing argued that psychosis is not a medical condition, but an outcome of the 'divided self', or the tension between the two personas within us: one our authentic, private identity, and the other the false, 'sane' self that we present to the world. Laing's radical approach to insanity offered a rich existential analysis of personal alienation and made him a cult figure in the 1960s, yet his work was most significant for its humane attitude, which put the patient back at the centre of treatment. R.D. Laing (1927-1989), one of the best-known psychiatrists of modern times, was born in Glasgow, Scotland. R.D. Laing's writings range from books on social theory to verse, as well as numerous articles and reviews in scientific journals and the popular press. His many publications include The Divided Self, Self and Others, Interpersonal Perception, The Politics of Experience and The Bird of Paradise, and Madness and Folly. If you enjoyed The Divided Self, you might like Sigmund Freud's The Joke and Its Relation to the Unconscious, also available in Penguin Modern Classics. 'One of the twentieth century's most influential psychotherapists' Guardian 'Laing challenged the psychiatric orthodoxy of his time ... an icon of the 1960s counter-culture' The Times

• Sales Rank: #1503881 in Books
• Published on: 2010-03-02
• Released on: 2010-03-02
• Format: International Edition
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x .60" w x 5.00" l, .40 pounds
• Binding: Paperback
• 224 pages

Review
"Dr. Laing is saying something very important indeed. . . . This is a truly humanist approach."
—Philip toynbee in the Observer

"It is a study that makes all other works I have read on schizophrenia seem fragmentary. . . . The author brings, through his vision and perception, that particular touch of genius which causes one to say Yes, I have always known that, why have I never thought of it before?'"
—Journal of Analytical Psychology

About the Author
R.D. Laing, one of the best-known psychiatrists of modern times, was born in Glasgow in 1927. R.D. Laing's writings range from books on social theory to verse, as well as numerous articles and reviews in scientific journals and the popular press. His many publications include The Divided Self, Self and Others, Interpersonal Perception, The Politics of Experience and The Bird of Paradise, Madness and Folly. R.D. Laing died in 1989. Anthony David graduated in medicine from Glasgow University in 1980. After training in neurology he switched to psychiatry at the Maudsley & Bethlem Hospitals. He is currently Professor of Cognitive Neuropsychiatry at the Institute of Psychiatry, King's College, London. He has edited several books including The Self in Neuroscience and Psychiatry (2003) with T. Kircher, and Insight and Psychosis (2nd ed., 2004) with X. Amador, and is author of over 350 publications in peer-reviewed medical and scientific journals.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Fantastic.
By adam christopher
This is an excellent and entertaining book. You don't have to be a schizophrenic or psychology researcher to find value within its pages. I randomly ordered this book a few years ago - having never heard of Laing and having never read anything in this genera - and it is now one of my favorite books that I have ever read. Highly recommended for anyone with even the slightest interest. Laing takes case studies of an extremely complex phenomenon - the divided self- and breaks it down logically to such an extent that even comatose schizophrenia becomes completely understandable

2 of 2 people found the following review helpful.
Where "everything is suffused with nothingness"
By Phyllis Antebi Ph.D
The divided self like the divided mind, is an abstraction and like all things human, requires our compassion to understand. While The Divided Self is not a new book (around since 1959/1960) it remains to this day a ground breaking psychological study.
Who as a psychologist, philosopher, or student of literature has not come across the idea of the schizoid personality? Some even believe it is the plague of our times. For example, you can read, "The Shallows", "The Minimal Self", and "The Culture of Narcissism". This state of deepening fragmentation of the self manifests as the false self system, a sort of borderline psychoses. In this world where everything is "suffused with nothingness", the real self lays hidden just waiting for some penetrating soul to help it discover "It" is not really an "IT" but an "I".

1 of 1 people found the following review helpful.
A Classic for a reason.
By Privacy Concerns
This should be mandatory reading for Psychology majors, and anyone who wants to work in the mental health field.

On one hand, this is a great book about schizophrenics and their existential issues.

On the other hand, everything in this book also applies to non-psychotic people, and THIS is why this book is so far ahead of others in its field, even for as old as it is. It's too bad not many people read it anymore.

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It's hard to believe that less then 100 years ago people still believed in Faries. However when two young English school girls took a number of photographs showing themselves playing with little winged people many people were taken in. Even Sir Arthur Conan Doyle (creators of Sherlock Holmes the most logical fictional character of all time) deeply believed in Spiritualism and in the existence of fairies. Doyle was completely taken in by the hoax. This is his account of the practical joke that fooled the British nation for four years.

• Sales Rank: #1255478 in eBooks
• Published on: 2008-03-23
• Released on: 2008-03-23
• Format: Kindle eBook

Most helpful customer reviews

23 of 25 people found the following review helpful.
There are fairies at the bottom of our garden
By Phelps Gates
A delightful book. In 1920, two girls in Yorkshire took photos which they said showed fairies in the woods near their home. The pictures are such obvious fakes (made with paper cutouts, as the girls later admitted) that it's amazing to think anyone could be taken in. And yet many were, including the creator of Sherlock Holmes, who wrote this book! This is a reprint, with an introduction explaining how Conan Doyle's life experiences set him up to be fooled. The book discusses, in great detail, the behavior and origins of fairies (in the scheme of Darwinian evolution), along with numerous accounts of eyewitness sightings (remarkably, one is by someone blind since birth!). The book is so well argued that by the time I finished it, I was starting to think that there might be something to COnan Doyle's claims about fairies.....

23 of 26 people found the following review helpful.
Excellent book preceded by a harangue under the guise of an introduction.
By Mystical Minds Bookstore
I would not recommend that anyone purchase this particular edition of The Coming of The Fairies by Sir Arthur Conan Doyle, not because of the text, but because of the Introduction by John M. Lynch. Although I have no knowledge of the two other editions carried by Amazon.com of The Coming of The Fairies I would recommend that anyone interested in this book consider purchasing one of them instead.

After years of running across references to this work by Sherlock Holmes' creator, I decided it was time to acquire a copy so I could see what Conan Doyle had to say about the Cottingley Photographs for myself. The description on Amazon.com indicated an introduction by a Mr. Lynch, but did not indicate that the "introduction" was in fact a 22-page harangue attacking the girls who took the photographs, Spiritualism, Theosophy, and Sir Arthur Conan Doyle, amongst others. I will certainly not purchase any other works that John M. Lynch is associated with, or any published by the University of Nebraska Press. While they certainly have the right to publish any opinion they want on this or any other subject, to promote the book as a simply a reproduction of a text by someone of the stature of Sir Arthur Conan Doyle, and then to use his work as a platform to attack the original work, is at best false advertising, and may even qualify as a form of plagiarism.

Wasting no time in going on the attack, the opening paragraph of Mr. Lynch's introduction impugns the state of Sir Arthur Conan Doyle's mental health at the time that he wrote this piece. Without having the courage to accept personal responsibility for this charge, , he attributes it to others by wording it as: "Some have seen this announcement in The Strand magazine and Doyle's subsequent book The Coming of the Fairies as the writings of a sixty-one-year-old who was losing his ability to think rationally".

As someone who passed the sixty-one-year-old point in his life several years ago, and who has spent much of the last forty years studying the history of this period, I find that Mr. Lynch's statements follow the typical modern skeptic's tactics of attacking without providing any material to support their accusations or conclusions.

For example, in numerous places in the introduction he attacks the character of the girls who took the photographs, baldly stating that the photographs were faked, referring to them as "A Hoax Revealed", without supplying any supporting data to back up his accusations, just stating that "Eighty years later we know that the photos were faked..." asking us to accept this conclusion simply on the merit that if he said it, then it must be true. He goes on to make the charge that the girls, some eighty after the events described in the text, had admitted using pictures from Princess Mary's Gift Book, published in 1914 as a model for constructing figures they then used to fake the photographs. Either Mr. Lynch has not seen this book, or he has assumed that no one reading his introduction would take the trouble to gain access to it, or both, or I doubt that he would have made this charge.

Princess Mary's Gift Book can be accessed and downloaded from the Library of the University of California, Los Angeles. A review of this collection of short stories and poems reveals only two illustrations in the book's 178 pages that relate to Fairies, and neither of them correlates to any image, or even the style of image of those found in the photographs done by the girls.

I found it also interesting that beginning on page 23, of Princess Mary's Gift Book is an story by the title of: "Bimbashi Joyce", by one A. Conan Doyle, Author of "The Adventures of Sherlock Holmes", with Painting and Drawings by R. Talbot Kelly, R.I.

By repeating the charge, not made for the first time until in the early 1980's, that the girls had used the images in this book to fake the photographs, Mr. Lynch would have us believe that Sir Arthur Conan Doyle had reached such a point of diminished mental capacity by the time that he was inspecting the Cottingley Photographs, that he would have failed to recognize any similarities between the fairies appearing in the photographs, and artwork appearing in a publication in which his own writings had appeared just six years previously. Additionally, the Cottingley Photographs caused such a stir in England at the time they were made public, that I am sure that if a case could have been made to connect the photographs to illustrations to be found in a book published by the King and Queen of England's daughter for charity, that any number of the people doing their best to prove the photos to be faked would have (1) been aware of the book Princess Mary's Gift Book, and (2) would not have hesitated to bring any similarities between the photographs and the book to the public's attention, at that time.

18 of 20 people found the following review helpful.
A Fairy-Fellow's Master Stroke
By The Wingchair Critic
Back in print after over half a century due to the efforts of the University of Nebraska Press, Sir Arthur Conan Doyle's curious 'The Coming of the Fairies' (2006, originally 1922) examines the key events surrounding the Cottingley fairy photograph phenomenon that swept England in the early 1920s. Despite the unfortunate inclusion of one frivolous chapter, 'Observations Of A Clairvoyant,' which was written by "an anonymous seer," the book is an interesting, if not always credible, exploration of its highly unusual subject.

Today, the photographs--which were recently exhibited in New York City--typically elicit one of two polarized responses: bemused academics, scientists, and the rational 'average man' dismiss them out of hand as clear and obvious fakes, while some New Age adherents, who are perhaps also sentimentalists, tend to find at least some of the photographs convincingly authentic.

The text on this edition's back cover--and its perfunctory introduction by Arizona State University Professor John M. Lynch--make it abundantly clear where the University of Nebraska Press stands on the issue: fairies, are, of course, an impossibility, scientific or otherwise.

But Sir Arthur Conan Doyle, creator of master rationalist detective Sherlock Homes, was hardly so certain of their lack of reality himself. Though he qualifies his initial opinions at every turn, and stresses the objective evaluation the photographs received by a number of expert sources, including Kodak, even his early paragraphs fairly burst with unbridled enthusiasm and barely suppressed belief.

At the time that the photographs initially came to light, Conan Doyle was mourning the loss of a son who died in the Great War, which in turn led the author to an active investigation of Spiritualism. Proof of the existence of fairies was ultimately of secondary interest to him; what he desperately sought was proof of an afterlife, and hence, the continued existence of his son on another plane ("...and once fairies are admitted other psychic phenomena will find a more ready acceptance."). If Spiritualism offered largely intangible 'evidence' of the transmigration of the soul if it offered any at all, tangible evidence of fairies generally bolstered Conan Doyle's rapidly evolving belief in an unseen world.

To complicate matters, like the confusion surrounding the infamous debunking of the 'Surgeon's Photo' that purported to reveal the Loch Ness Monster (and the subsequent revelation that the 'truth' might have itself have been a hoax), at the end of their lives, the two photographers in question, cousins Elsie Wright and Frances Griffiths, openly admitted to an eager media that the photographs had been faked. But then Frances, who died first, waffled--by 'revealing' that only some of the photographs were faked, and nevertheless insisted, right up until her death in 1986, that she and her cousin had encountered, interacted with, and photographed fairies "at the beck" and near "the bottom of the garden" in 1917.

While most of the fairies in the photographs do unmistakably resemble two-dimensional paper cut-outs like those the girls would have found in their copy of 'Princess Mary's Gift Book' (1914), the photograph usually known as 'Elsie and the Gnome' is remarkable due to the fairly complex position in which the 'gnome' is standing (no such figure was featured in Princess Mary's Gift Book, and thus not obtainable from that source), as well as due to Elsie's weirdly elongated, almost deformed, right hand and fingers, which one party in the text explains by stating that the young lady merely had physically unusual hands (another oft-repeated theory is that Elsie was holding her left hand partially behind the right, which, thus positioned, appear as one long appendage).

The hazy 'fairy bower' photograph, which features multiple figures, including a very tiny 'elf' resembling Prince Valiant emerging from the bracken (and whose head is reflected in its own wing, proving that the figures could not be made of simple paper) also seems beyond the artistic and technical skills of two young girls almost completely unfamiliar with the rudimentary camera equipment of the era.

Certainly the photographs are open to interpretation: in observing the gnome figure, one party discusses its 'beard,' another its partially hidden 'pipes,' and yet another the hat pin which the party believes was utilized to support the cut-out. Readers may see all of these things or none of them; no mention is made of the gnome's pronounced Pinocchio-like nose, or its brimmed and conical cap, which resembles a traditional witch's hat.

The basis for two excellent films, 'Fairy Tale: A True Story' and the darker 'Photographing Fairies' (both 1997), 'The Coming of the Fairies' ultimately raises more questions than it answers about skill, chance, credulity, psychology, fading cultural romanticism, the sociology of logic, and the nature and motivation of belief.

Those seeking books of greater substance on the same topic may also want to read Robert Kirk's 'The Secret Commonwealth: Of Elves, Fauns, and Fairies' (New York Review Books Classics), William Butler Yeats' classic 'The Celtic Twilight: Faerie and Folklore' (1893), Lady Gregory's outstanding 'Visions and Beliefs in the West of Ireland' (1920), and Carole G. Silver's 'Strange & Secret Peoples: Fairies & Victorian Consciousness' (2000).

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• Original language: French
• Dimensions: 8.46" h x .59" w x 11.02" l,
• Binding: Paperback

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High School Confidential: Secrets of an Undercover Student, by Jeremy Iversen

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It's spring semester in Southern California, and twenty-four-year-old Stanford grad Jeremy Iversen is forsaking a dreary future of New York investment banking to go on the adventure of a lifetime. With a new wardrobe and the blessing of the school principal, he transfers into Mirador High, going undercover as a seventeen-year-old surfer.

In this fast-paced expos�, Iversen quickly finds himself climbing the social ladder to the popular crowd, winning over everyone from steroid-raging athletes to shoplifting scene kids, promiscuous prom queens to evangelical Christians. Along the way, he uncovers a secret world of bomb threats and sex videotapes, wildfires and wilder parties, childish teachers and youth growing up way too fast.

But when he finds himself caught between his teenage friends and a jaded administration that will stop at nothing to make their failing school look good, he realizes he faces the hardest choice of his life.

High School Confidential is the explosive true story of a rising generation that proves you can go back again.

• Sales Rank: #636068 in Books
• Published on: 2007-08-28
• Released on: 2007-08-28
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.20" w x 5.50" l, 1.30 pounds
• Binding: Paperback
• 464 pages

From Publishers Weekly
What really happens between homeroom and last period in an average American high school? Jeremy Iversen, a 24-year-old Stanford graduate and the author of the novel 21, infiltrated California's Mirador High (fictional name, real school) for a semester to find out. Posing as a high-school transfer student, Iversen discovers what many have discovered before: that high school is "an institution founded on popularity, sports, ass kissing, and corruption." Although Iversen's tone can be entertaining and his descriptions occasionally catch the reader's attention, his story-of an almost out-of-control school in which social cliques (the jocks, nerds, skaters, etc. of any '80s film), alcohol and sex rule and the principal and many teachers are clueless figureheads-is one that has been told too many times. Iversen also has a penchant for grandiose statements about the school system ("The vast and functional cycle, far greater than she or any other entity, would repeat without end until the civilization that sustained it ultimately dissolved as all phenomena must"), and the author's preface about "compromises with characters and chronology" hobbles reportorial integrity. Readers looking for original revelations will be disappointed.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
An overachiever in high school (and equally driven in college), Iversen reached his mid-twenties yearning to see what he missed by being a grind. Going back to high school (and writing about it) seemed the thing to do, but convincing a school to cooperate was more difficult than he thought. Finally Mirador Senior High, in sunny Southern California, took the bait, allowing Jeremy "Hughes" to plug in as a senior transfer student. Although Iversen's -surfer-dude front and research on the Millennial generation enabled him to pass fairly smoothly into the A-list circle, nothing prepared him for actually becoming involved in the lives of his classmates. Iversen's extensive use of dialogue gives the episodic, realistically raunchy narrative the patina of fiction, but whether readers approach it as fiction or fact, they'll find themselves wrapped up in the lives of his composite kids. He catches them at their very worst and their best as they rage, dream, and struggle to move on with their lives. Stephanie Zvirin
Copyright � American Library Association. All rights reserved

Review
"Shows like Laguna Beach try to expose the shocking reality of teen life, but really nothing could compare to Jeremy Iversen's experience of posing as a student.... It's a fascinating read."

-- CNN Showbiz Tonight

"Iversen's mastery of story made me fall in love with every one of his classmates, and his sense of suspense and timing made me carry this book around for days....Dude. It's like, one of the best books you'll read this year."

-- Terri Schlichenmeyer, nationally syndicated columnist

"[Readers] will find themselves wrapped up in the lives of [Iversen's] kids. He catches them at their very worst and their best as they rage, dream, and struggle to move on with their lives."

-- Booklist

Most helpful customer reviews

1 of 1 people found the following review helpful.
We Called Him 'Plastic Face'
By LShay5940
As a person who was actually at this high school, I happen to know the nickname for this "student" during his time at the high school was 'plastic face' and 'narc' as all students knew he was an adult (mainly due to the tinted sunscreen he wore to make himself look younger). This author created the story he wanted, not the reality that surround him and benefitted from people who wanted to hear about the unreal gossips of a High Confidential.

0 of 0 people found the following review helpful.
Entertaining read
By J. P. Baker
I bought this book while on holiday in New York (I'm British) and finished it off in almost one sitting. It was one of those books that I felt sorry to have finished.

In the first part of the book, the main characters are introduced, in the second, the reader is told about the same 2 weeks from the perspective of several of the main characters, while the end ties everything up. Although this is a book about teenagers - it expects a high level of intelligence (and ability to remember details) from its reader - although as a non-American I found the use of explanatory footnotes helpful and interesting.

It wasn't the book I was expecting to read. I initially thought that the most interesting angle would be the writer's impersonation as a student and whether he would be caught or not - and the sorts of cultural misunderstandings that might emergy along the way as he copes with pretending to be younger than he is - the discussion of being a "participant observer". Although this is described in detail at the start of the book, it's then pretty much dropped - in fact the author almost vanishes from the narrative altogether, allowing the individual students' stories to emerge.

By the end of the story I was surprised that I cared whether or not Vic got to graduate - and the end part of the book - the "debriefing" felt odd - the writing is so good and the characters so well-defined that you feel like you have Stockholm Syndrome in that you identify with them and their values. All the stereotypes are there - but they're much more fleshed out than in the usual teen fiction - although the teachers feel much more like stereotypes - if you've watched Daria, then that's what they feel like - but I guess that's because the writer was writing from the students' perspective.

An enjoyable read anyway - even if it is a depressing indictment on the American High School system.

12 of 13 people found the following review helpful.
Ambitious but Flawed Project
By Christopher J. Falter
Welcome to the world of Mirador High School, where police dogs sniff the lockers, a French teacher sexually harasses the homecoming queen, and the biology teacher leads class discussions about the most recent L.A. Lakers game. Jeremy Iversen has gone undercover as "Jeremy Hughes" to help us understand the typical public high school experience, and he spins a fascinating yarn. I had difficulty putting the book down; would anyone get hospitalized after the powder puff game? Would the high school get its accreditation? Would Vic Reyes make it to graduation?

Iversen is at his best when he portrays the angst of the high schoolers he meets. Girls compete for the affection of a guy and become mortal enemies. Vic is a mechanical genius, but he finds his other classes boring and tunes out by smoking pot. Derrick, the student body president, initally plays along with the administration efforts to use him as a puppet, but when he decides he wants to make a real difference, he must first overcome an intense conflict within himself, then with the administration. I found myself cheering for him when he emerges wiser, yet not unscathed.

CAUTION: THIS BOOK IS R-RATED. If I were a parent of an eighth-grader about to go to high school, I would read this book, but not give it to my child. Iversen spares no details in describing the sexually charged conversations and activities of his Mirador High School friends.

SO WHY AM I GIVING THIS BOOK ONLY 3 STARS? Iversen does not really deliver what he claims to deliver. He purports to describe the typical high school experience, but in his book almost everyone gets falling down drunk every weekend, and almost all the parties reach their climax when the cops get called to break up a massive brawl or other wretched behavior. And in Iversen's Mirador, all the teachers are completely self-absorbed, and do very little to educate their students. I have no doubt that the events in the book really did happen more or less as Iversen describes them; the problem is that Iversen is not telling the whole story, not by a long shot. I talk at length with my teens, and their experience is vastly different than Iversen's. Alcohol is not served at the parties they attend; their teachers care, and most of them are effective in helping the class learn the material they are supposed to learn; and with the encouragement of their parents, friends, and teachers, most of the students go on to college or productive work.

So why does Iversen skew his portrait so much? Probably for the same reason that newspapers don't publish headlines like "Traffic is Clear During Daily Commute" or "Government Agency Serves Constituents Effectively." Outrageous events and behavior lend much more drama to a story, so of course an author who wants his book to be read is going to describe the out-of-control parties at length, while omitting the more boring (and typical) stuff like SAT study circles and homework collaboration. If we are to believe Iversen, Mirador students did not stage a musical, or enter a marching band competition, or send a debate team to a regional tournament, or sing Gershwin songs in concert. But even mediocre high schools have hundreds of students who do these things! Why are they not in Iversen's book? Their stories deserve to be told, too. But for this we will have to wait for some other book, because Iversen so strongly desires to enter a world that is not "fast track to Wall Street" that he is going to give most of the focus to the brazen behavior, rather than the everyday successes of everyday kids.

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